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What are the best colours or hues for painting shadows?

It takes practice and a good eye to paint shadows, and this skill can create depth and dimension to an otherwise flat piece of work. There are, however, some simple...

How to increase the permanence of outdoor paintings

All exterior paint or art work is subject to weathering and unfortunately, will not last forever. However the use of correct techniques and materials can certainly improve the longevity of...

How should paint tubes be stored?

All tube colour should be stored in an ambient, dry atmosphere and lids should be replaced directly after use. If any paint builds up then keep cap threads clean and...

What are the drying times for Winsor & Newton Oil colours?

Discover the drying times of our Oil paint ranges to avoid common issues such as cracking. Find out how long to wait until varnishing your oil painting and how to tell when...

How to choose the perfect white oil colour

Explore the timeless role of white in art and discover its nuances with Winsor & Newton's oil paints. From traditional to modern whites, delve into their uses, qualities, and the...

What are the primary colours in the Winsor & Newton Oil Colour range?

Discover the essential primary colours for mixing in Winsor & Newton's oil colour ranges. Our guide covers the three and six colour systems of each range plus explores a perfect...

Why should an oil painting be varnished?

Varnish is desirable for two key reasons: one, to bring the surface to a uniform gloss level (matt or gloss or somewhere in between), and two, for protection from dust...

What are the three oil painting rules?

If you want to make the most of your painting, there are three tried and tested rules that will serve you well: Fat over lean, think over thin and slow...

What is the "fat over lean" painting rule?

Fat over lean is better understood if considered as ‘flexible over less flexible’. When painting in layers, the proportion of medium used in each layer should be increased.

Oiling out: how to fix sinking and dull areas in oil paintings

Explore oiling out as a technique to revive dull areas in oil paintings affected by sinking. Discover expert tips on using oil mediums to restore vibrancy and maintain painting integrity.

Why has hand grinding pigments become less common in the manufacturing of colours?

Up until the late 18th century, hand grinding was the principal method of making artists’ colours. Skilled workers would use a shear/slide method with a stone muller and flat slab...