Further Information
This section gives you some additional information and useful facts about Designers' Gouache.
History
Why use Gouache?
Who uses Gouache?
Discontinued Colours
The History of Gouache
Gouache is actually both a technique and a product.
The tecnhique, dating to before the Renaissance, refers to the use of white to achieve opacity in water based colours. Originally used for illuminating manuscripts, it was Paul Sandby in the 18th centruy who first used the painting technique extensively and later the Pre-Raphaelites. Opaque techniques were further popularised by the Impressionists and Post-Impressionists, in their use of pastel, lithography and wood cuts.
Historical advertising for Designers' Gouache
Gouache, the product, was a result of this interest in both opaque and water based products. Poster colour appeared after the First World War and this was significantly improved upon by Winsor & Newton, with the introduction of Designers' Opaque Water Colour in the 1930's.
1930s tube
Tube designs L-R: 1977, 1986, 2008
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Why use Gouache?
Gouache is a very versatile paint which can transcend the boundaries of many mediums. It can make a wash like a water colour, blend like an oil colour and dry brush like acrylic.
It can be used thinly for a wash at the start of a painting then applied in thicker layers towards the end. Due to its opaque nature it can be applied in solid colours, allowing you to paint in layers from dark to light.
It is a direct and quick druing paint with superb covering power which is achieved by the high levels of pigmentation (not by the use of fillers or opacifiers). Unlike transparent water colour, where you need to plan and reserve the white of the paper, gouache is more controllable and enables you to remove mistakes and re-paint.
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Who uses Gouache?
| Designers - its ease of use, brilliance, quick drying and matt finish make it the most popular designers' and illustrators' colour. The opaque, matt finish makes for more accurate reproduction at artwork stage as it minimises reflections. |
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| Fine artists - use it in conjunction with water colour or on its own as opaque water colour. Its brillance and opacity give it solidity, excellent for abstract work and extra details. Strong effects also result from the contrast of working on colour backgrounds which are left partly exposed. |
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| Calligraphers - gouache is used by calligraphers because of its excellent flow, opacity and permanence. |
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| Marblers - the high pigmentation and gum arabic base make it a common choice with professional marblers. |
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Discontinued Colours
Colour
Code |
Colour Name |
Reasons for Discontinuation |
Nearest Equivalent in Range |
|
006
022
092
097
102
148
181
260
270
271
287
297
309
378
414
463
467
471
930
544
574
591
603
668
694
708
|
Alizarin Rose Madder
Azure Blue
Cadmium Primrose
Cadmium Red Deep
Cadmium Red Pale
Chinese Orange
Cobalt Pale Hue
Fluorescent Yellow
Forest Green
Geranium
Golden Yellow
Grenadine
Havannah Lake
Madder Carmine
Mistletoe Green
Parma Violet
Peacock Blue
Periwinkle Blue
Process Black
Purple Lake
Rose Carthame
Rose Malmaison
Scarlet Lake
Ultramarine Deep
Viridian lake
Winsor Emerald |
Poor lightfastness.
Can be mixed by the artist.
Can be mixed by the artist.
Replaced by cleaner brighter cadmiums.
Replaced by cleaner brighter colour position.
Close to Venetian Red.
Can be mixed by the artist.
Poor lightfastness.
Close to Permanent Green Middle.
Very close to Primary Red.
Very close to Cadmium Yellow.
Poor lightfastness.
Poor lightfastness. Mixed pigment colour.
Very close to Alizarin Crimson.
Very close to Permanent Green Middle.
Close to Spectrum Violet.
Can be mixed by the artist.
Close to Ultramarine.
Close to Designers Lamp Black.
Can be mixed by the artist.
Poor lightfastness.
Poor lightfastness. New opera's are brighter
Very close to Flame Red.
Very close to Ultramarine.
Can be mixed by the artist.
Can be mixed by the artist. |
Permanent Rose
Phthalo Blue + Winsor Green
Cadmium Lemon +Cadmium Yellow Pale
Cadmium Red +Red Ochre
Cadmium Scarlet
Venetian Red
Ultramarine Green Shade +Zinc White
None
Permanent Green Middle
Primary Red + Rose Tyrien
Cadmium Yellow
Spectrum Red + Flame Red
Perylene Violet
Alizarin Crimson
Permanent Green Middle
Spectrum Violet + Light Purple
Phthalo Blue + Intense Blue
Ultramarine
Lamp Black
Light Purple + Black
Winsor Red + Primary Red
Primary Red + Rose Tyrien
Flame Red
Ultramarine
Cyprus Green + Brilliant Green
Brilliant Green + Winsor Green + Zinc White |
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